ASTA 709 : ARTE MODERNA E CONTEMPORANEA I TORNATA: dal lotto 1 al lotto 147
Tuesday 27 May 2025 hours 15:00 (UTC +01:00)
Matthew Barney "Cremaster 5: Her Giant" 1997 C-print in cornice dell'artista cm
Matthew Barney (SAN FRANCISCO 1967)
"Cremaster 5: Her Giant" 1997
C-print in cornice dell'artista
cm 134x108,5
Firmato e datato 97 e timbro dell'artista al retro
Edizione 6/6
Provenienza
Barbara Gladstone Gallery, New York (1998)
Christie's Post-War and Contemporary Art, 21 giugno 2007, lotto 516
Collezione privata, Milano
Esposizioni
"Regarding Beauty: A View of the Late Twentieth Century" Hirshhorn Museum and Sculpture Garden, Washington D.C., ottobre 1999 - gennaio 2000; Haus der Kunst, Monaco, gennaio - aprile 2000, p. 83 n. 8 in catalogo
"Matthew Barney: Glen Dimplex Artists Award Exhibition" Irish Museum of Modern Art, Dublino, maggio - ottobre 2001
"Veronica's Revenge" Museum for Modern Kunst, Arken, giugno - novembre 2000; Museum of Contemporary Art, Sydney, novembre 2001 - marzo 2001
"Matthew Barney: The CREMASTER Cycle" Museum Ludwig, Colonia, giugno - settembre 2002; Musée d'Art Moderne de la Ville de Paris, Parigi, ottobre 2002 - gennaio 2003; Solomon R. Guggenheim Museum, New York, febbraio - giugno 2003; p. 407 ill. a colori in catalogo
"DA CINDY SHERMAN A FRANCESCO VEZZOLI. 80 artisti contemporanei - Opere dalla Collezione Giuseppe Iannaccone" Palazzo Reale, Milano, 7 marzo - 4 maggio 2025
"Baroque and Neo-Baroque. The Hell of the Beautiful" Domus Artium, Salamanca, 2002, ottobre 2005 - gennaio 2006
(altri esemplari)
Bibliografia
E. Janus (ed.) "Veronica's Revenge: Contemporary Perspectives in Photography" Zurich, Berlin and New York 1998, p. 160 ill.
R.D. Hodge "Onan the Magnificent: The Triumph of the Testicle in Contemporary Art'", in Harper's Magazine, 2000, p. 77 ill.
W. Schoppmann, P. Friese e E. Schmidt (eds.) "Ohne Zöger: Die Sammlung Olbricht Teil 2 (Without Hesitation: The Olbricht Collection Part 2)" Heidelberg 2001, p. 49 ill.
(altri esemplari)
-EN
"Cremaster 5: Her Giant" 1997
C-print in acrylic frame
cm 134x108.5
Signed and dated 97 and artist's stamp on reverse
Edition 6/6
Provenance
Barbara Gladstone Gallery, New York (1998)
Christie's Post-War and Contemporary Art, June 21, 2007, lot 516
Private collection, Milan
Exhibitions
"Regarding Beauty: A View of the Late Twentieth Century" Hirshhorn Museum and Sculpture Garden, Washington D.C., October 1999 - January 2000; Haus der Kunst, Munich, January - April 2000, p. 83 no. 8 in catalog
"Matthew Barney: Glen Dimplex Artists Award Exhibition" Irish Museum of Modern Art, Dublin, May - October 2001
"Veronica's Revenge" Museum for Modern Kunst, Arken, June - November 2000; Museum of Contemporary Art, Sydney, November 2001 - March 2001
"Matthew Barney: The CREMASTER Cycle" Museum Ludwig, Cologne, June - September 2002; Musée d'Art Moderne de la Ville de Paris, Paris, October 2002 - January 2003; Solomon R. Guggenheim Museum, New York, February - June 2003; p. 407 color ill. in catalog
"FROM CINDY SHERMAN TO FRANCESCO VEZZOLI. 80 Contemporary Artists - Works from the Giuseppe Iannaccone Collection" Palazzo Reale, Milan, March 7-May 4, 2025
"Baroque and Neo-Baroque. The Hell of the Beautiful." Domus Artium, Salamanca, 2002, October 2005 - January 2006
(other examples)
Literature
E. Janus (ed.) "Veronica's Revenge: Contemporary Perspectives in Photography" Zurich, Berlin and New York 1998, p. 160 ill.
R.D. Hodge "Onan the Magnificent: The Triumph of the Testicle in Contemporary Art" in Harper's Magazine, 2000, p. 77 ill.
W. Schoppmann, P. Friese and E. Schmidt (eds.) "Ohne Zöger: Die Sammlung Olbricht Teil 2 (Without Hesitation: The Olbricht Collection Part 2)" Heidelberg 2001, p. 49 ill.
(other specimens)
