Curiosities, Objects de Vertu and a Selection of African Art. In partnership with Baias Arte.

Curiosities, Objects de Vertu and a Selection of African Art. In partnership with Baias Arte.

Wednesday 18 June 2025 hours 14:30 (UTC +01:00)
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  • A Chinese lacquer round box
    Lot 99

    A Chinese lacquer round box
    China, Qing, 18th century
    black lacquer round box with gold décor.
    D cm 35

  • Four Chinese coconut bowls
    Lot 100

    Four Chinese coconut bowls
    China, Ming, 16th century
    Lot consisting of four coconut bowls with metal fitting and entirely decorated with engraved pattern of auspicious motifs.
    D cm 13

  • Travel equipment
    Lot 101

    Travel equipment
    Tibetan-Mongolian Region, Late 19th - Early 20th Century
    A group of three everyday-use objects: a metal bowl housed in its rigid leather container, and a knife with bone handle accompanied by a pair of chopsticks.
    Rare and hard-to-find items, they serve as tangible traces of a largely vanished nomadic world-objects that still evoke a rich imagery of rituals, journeys, and ancestral traditions.
    Case length: cm 32

  • Two silver butter lamps
    Lot 102

    Two silver butter lamps
    Tibet, 19th century
    an elegant pair of butter lamps made of embossed and chiseled silver.
    H cm 14

  • Two Islamic divination bowls and a tray
    Lot 103

    Two Islamic divination bowls and a tray
    Middle-East, 17th -19th century
    Lot consisting of a large embossed tray probably Persia 19th century with human figures and grapes of wine, and two ancient engraved copper divination bowls.
    Tray: D cm 49

  • A bronze ewer
    Lot 104

    A bronze ewer
    India, Deccan, early 18th century
    Resting on a hexagonal base, the body is globular and slightly flattened, the handle in the form of a stylised dragon terminating in a hinge that joins it to the domed cover terminating in a bud-shaped grip. The surface is extensively decorated with a fish scale pattern and a net motif of small diamonds on spout and neck. The centre of both sides of the container decorated with a peacock within a drop-shaped reserve.
    Ewers of this shape are attributed by Zebrowski (Gold, Silver & Bronze from Mughal India, Alexandria Press, 1997, p. 164 and 166) to Northern India or the Deccan. Our specimen seems to relate more to the second attribution, given its decorative similarities to the coeval Bidri manufacture.
    Such items were used by the Muslim community to pour water for ritual ablutions and is therefore a type frequently found in India after the Islamic conquest of some of its territories.
    31.5 X H. 29 cm

  • Two Indian flower-shaped containers
    Lot 105

    Two Indian flower-shaped containers
    India, 19th century
    Two cast bronze boxes with leaf-shaped containers and hinged lids locked in by the peacock in the middle.
    This multi-container type of box was especially designed to store colourful powders for ceremonial Hindu beauty care.
    H cm 7.5

  • Engraved wine flask
    Lot 106

    Engraved wine flask
    India, 18th-19th century
    A Surahi wine flask made of bronze with octagonal section and engraved walls, most likely from northern India and of Islamic-Mughal origin.
    In the context of Indo-Islamic courts, the Surahi was not only a functional container for wine or other ceremonial liquids but also held significant symbolic value. It was an object of prestige, a royal offering, and a representative tool in aristocratic rituals.
    H cm 20

  • Stone oil lamp
    Lot 107

    Stone oil lamp
    Southern India, 18th century
    Evocative votive structure carved from grey granite, composed of three stacked elements recalling the archetypal form of a pagoda. Used in religious contexts to symbolically illuminate sacred spaces or domestic altars.
    Base diameter: 37 cm
    H cm 64

  • Persian tile with invocation and disc for prostration
    Lot 108

    Persian tile with invocation and disc for prostration
    Iran, 19th century
    The tile, made of glazed ceramic in a rich turquoise blue, features in black calligraphy the invocation 'What God wills' or 'As God has willed'. Accompanying it is a disc made of unglazed clay, engraved and used during the ritual prostration (sajda) as the point of contact between the forehead and the ground, in accordance with tradition. These discs, known as turbah or mohr, are typically made from clay sourced from sacred sites and often bear sacred inscriptions or symbolic motifs.
    Disc diameter: 5.5 cm
    Tile height: 15 cm

  • Glazed votive plate
    Lot 109

    Glazed votive plate
    Multan, Pakistan, 19th century
    Terracotta plate with two-color glaze depicting a mosque.
    D cm 25

  • Maharaja of Bhavnagar and His Court
    Lot 110

    Maharaja of Bhavnagar and His Court
    (1884, 20th-Century Reprint)
    Western India
    Sepia-toned photographic print mounted on card.
    Commemorative image depicting Maharaja Raol Sir Takhtsinhji Jaswantsinhji (1858-1896) during an audience with members of his court, most likely Maratha aristocrats and dignitaries. Originally taken in 1884, the photograph is presented here as a 20th-century reprint, mounted on stiff cardstock. The image bears the original number '334' and is accompanied by a cursive inscription attesting to the event.
    With frame: cm 21.5 x 26.5

  • Two colonial portraits
    Lot 111

    Two colonial portraits
    India, 20th century
    Two replicas of photographic portraits within wooden frames covered in repoussé metal sheets with foliated motifs. An example of local craftsmanship.
    Cm 64x52.5
    Cm 26x20.5

  • Three votive lamps in bronze
    Lot 112

    Three votive lamps in bronze
    Kerala, Southern India, Early 20th Century
    Three traditional votive lamps from the Malabar region, used for offerings in temples in Kerala. Made of cast and turned bronze, they are characterized by a pointed terminal designed to hold cotton wicks soaked in oil.
    The highest: cm 25

  • Zoomorphic oil lamp
    Lot 113

    Zoomorphic oil lamp
    Himalayan region, first half of the 19th century
    Votive bronze oil lamp shaped as a sacred rat, symbol of vigilance, cunning, and subterranean power. The oil reservoir is mounted on the animal's back.
    H cm 10

  • Tile with OM Symbol and Small Ritual Mandir
    Lot 114

    Tile with OM Symbol and Small Ritual Mandir
    India, mid-20th century
    A pair of objects from the Hindu tradition. The glazed ceramic tile features a raised sacred OM (Aum) symbol. The small mandir (ritual temple), made of gilded terracotta, symbolizes protection and sanctity. It was perhaps intended to house ceremonial remnants or used as a votive offering.
    Tile: cm 15.5x15.5
    Mandir: H cm 6

  • Bodhisattva head, cast from a Gandharan sculpture
    Lot 115

    Bodhisattva head, cast from a Gandharan sculpture
    India, 20th century
    Plaster cast taken from an original Gandharan sculpture, depicting the face of a Bodhisattva.
    H cm 28

  • Four Argentinean car number plates
    Lot 116

    Four Argentinean car number plates
    Republic of Argentina, Early 20th century
    Lot consisting of three metal license plates and an enameled one. Two corrisponding to the Region of Tandil (1921, and 1929), one of Villa Sarmiento and another with no locality.
    The biggest one: L cm 34

  • Arturo Pannunzio - Young Mermaid
    Lot 117

    Arturo Pannunzio - Young Mermaid
    Italy, c. 1940
    A painted pottery figure with a young mermaid playing with two fishes.
    L cm 43

  • Two walking sticks
    Lot 118

    Two walking sticks
    Italy, Early 20th century
    Wooden sticks with metal handle shaped in form of dogs.
    The biggest one: H cm 94.5

  • Two Sicilian marionettes
    Lot 119

    Two Sicilian marionettes
    Italy, Late 19th century
    Extremely large puppets (Pupi) from the Sicilian traditional folk theatre representing characters from the Orlando Furioso by Ariosto.
    H cm 120

  • Folding painter's easel 'Le Franc, Paris'
    Lot 120

    Folding painter's easel 'Le Franc, Paris'
    France, First Half of the 20th Century
    An elegant wooden folding and portable painter's easel, featuring hinged panels and a pull-out drawer for colors, brushes, and palette. Crafted with meticulous attention to detail, it bears a brass plaque engraved with the name 'Le Franc, Paris,' a historic name in the production of fine arts materials dating back to the 17th century.
    Closed: cm 60 x 40 x 19

  • Two photographic plates of artistic nude, M. Koch & O. Rieth, 'Der Act'
    Lot 121

    Two photographic plates of artistic nude, M. Koch & O. Rieth, 'Der Act'
    Germany, 19th - early 20th century
    Pair of photographic plates from the renowned German series Der Act, created by M. Koch and O. Rieth for the publisher M. Bauer & Co., printed using the direct light printing process (Lichtdruck) by W. Neumann & Co. The images-Plate 12 and Plate 17-depict a female and a male nude in carefully composed, dynamic poses intended for anatomical study and academic art training.
    Cm 32x24

  • Original photographs featuring Pope Pius XI
    Lot 122

    Original photographs featuring Pope Pius XI
    Italy, 1933
    A pair of rare original photographs capturing Pope Pius XI during a solemn ceremony held at the Vatican in 1933.
    cm 18 x 24

Lots from 97 to 120 of 151
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Curiosities, Objects de Vertu and a Selection of African Art. In partnership with Baias Arte.

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  • 18 June 2025 hours 14:30 sessione unica (1 - 155)

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