WEB AUCTION 118 - LIBRI E AUTOGRAFI

LUDOVICO ARIOSTO (1474 - 1533)

Orlando Furioso di M. Lodovico Ariosto. Tomo I. [IV.]. Venezia, presso Antonio Zatta, 1772-3

§ 4to, Four volumes. I: [16], LX, 300 pp., [21] leaves of plates, sign.: *-**4, a-g4, h2, A-OO4, PP2; II: [214] leaves, [15] leaves of plates, sign.: A-FFF4, GGG6; III: [206] leaves, [16] leaves of plates; IV: [268] leaves, [14] leaves of plates, sign.: A-XXX4. XIXth century blue paper binding, four title pages, each one with its own gorgeous engraved frontispiece and title page inscribed into ornamental frame; a beautiful, crisp copy with very limpid engravings and a fine chiaroscuro rendering
. One of the most famous and fascinating illustrated book printed in Venice in the XVIIIth century, exquisitely engraved by several of the most famous artist of the age: 58 full-page and 36 half-page engravings, 51 argomenti engraved at the beginning of each canto, 20 among heads and tailpieces, designed by Novelli and others and engraved by Giuliano Zuliani (1730 - 1814), Tommaso Baratti (fl. 1772 - 1801), Ferdinando Fambrini (fl. 1763 - 1794), Giacomo Malosso (fl. 1772 - 1773) and others. The text was edited and revised by Leonardo Marcellotto (fl. 1744 - 1773) and Antonio Cilis (fl. 1772 - 1773), with the addition of a biography of Ludovico Ariosto by Giovanni Andrea Barotti (1701 - 1772) at the beginning of the first volume.
Ref: Agnelli-Ravegnani, Annali delle edizioni ariostee, I, pp. 202-204; Brunet I, 437; De Grassi, p. 169

JEAN BAPTISTE SENAC (1693-1770)

Trattato della struttura del cuore della sua azione e delle sue infermità del signor Senac medico consultore del re. Tradotto per la prima volta dal francese. Brescia, per Giammaria Rizzardi, 1773.

§ In 4° (ca. 280 x 210 mm), 4 volumes.: XLIII, [1], 287, [1] pp.; 368 pp.; 275, [1] pp.; 340 pp.; XVII anatomical folding plates at the end of vol. I; Magnificent, clean and crisp copy with wide, uncut margins, original rustic cardboard binding.

The only Italian edition of the remarkable first work completely devoted to the cardiac anatomy, physiology and pathology (or. ed. Traité de la structure du coeur, de son action et de ses maladies. Paris, chez Jacques Vincent rue & vis-à-vis l'Eglise de S. Severin à l'Ange, 1749).
In this treatise Senac discusses heart disorders and diseases that he analyzed personally, as well as diagnoses that were determined by other physicians. He was the first physician to describe the correlation between atrial fibrillation and mitral valve disease, as well as the first to provide a comprehensive study of cardiac hypertrophy. He also conducted research of cinchona extract and rhubarb as possible treatments for cardiac irregularities. Moreover he served as a personal physician to King Louis XV (1710 - 1774) from 1752 until his death.
Ref.: Blake, 414; Eloy, VI, 138; OCLC 14834038.

Filippo Baldini (fl. 1770 - 1797)

Saggio medico-fisico intorno ai favorevoli effetti, che l’esercizio del cavalcare produce nel corpo umano del dottor Filippo Baldini, Professor di Medicina, e Lettor Straordinario de’ Morbi Nervini nella Regia Università di Napoli, Socio onorario corrispondente delle due Reali Accademie di Firenze de’ Georgofili, e de’ Fisico-Botanici, e della Reale Accademica delle Scienze di Siena. Napoli, nella Stamperia Raimondiana, 1774.


§ 8vo, 87, [1] pp.; sign.: A-E8, F4. Slightly later coloured paperboard, a fina and crisp copy.
First, extremely scarce, edition of this curious treatise dedicated to the beneficial effects of horse-riding. As part of Baldini’s works dedicated to the benefit of sports and recreational activities, together with his treatises on ship-cruising and rowing (Sugli effetti del moto della barca nel corpo umano, originally published in the second volume of Baldini’s Omnia, 1787) and hunting (Dell’esercizio della caccia atto a conservare, ed a restituire all’uomo la sanità. Napoli [s.d.], 1778), this pamphlet is one of the first scientific publications dedicated to the beneficial aspects of activities complementary to medical therapies. Ref: Blake (p. 29), OCLC 14860950.

ADRIANUS CHRISOGONUS
De Vera Philosophia, Roma, Benedetto Francesi, 1775

4°


Contemporary calf, with gilded ornaments. Very fine copy.

DOMENICO COTUGNO (1736-1822)


Dominici Cotunnii regi anat. prof. de sedibus variolarum sintagma Napoli, et Bononiae, ex Typographia Sancti Thomae Aquinatis, 1775


§ 8vo (12,5x19x1,5 cm.); 171, [1] pp., sign: A-K1-8, L1-6. One engraved plate. Contemporary half-calf with corners, spine gilt, green morocco title-piece on spine. Fine copy.

First published in 1769, 29 years before Jenner’s discovery. Cotugno studies the localization of smallpox lesions and, on the basis of several observations, he concludes that they are only external and do not affect internal organs. the internal mucous membranes however, were also affected when exposed to the air, as he was able to observe in a patient's prolapsed intestine and haemorrhoids.
Cotugno was professor of surgery and anatomy in Naples and he is best known for his studies, especially in the field of neurology. “In the early 19th century, his reputation as a physician was such that, as the saying went, ‘‘no one in Naples could die without a passport from Cotugno’’.
Ref: De Renzi, V, 195-197, 330 and 808-809; Loris Premuda Cotugno, Domenico In: Dizionario Biografico degli Italiani;

MICHELE TROJA (1747-1827)

Esperienze intorno alla rigenerazione delle ossa, al callo delle fratture, ed alla forza che la natura impiega in allungar le ossa mentre crescono. ... Napoli, nella stamperia Simoniana, 1779


§ Large 8vo (200 x 175.); XIX, [1], 288 pp., signature a1-10, A-S1-8; VIII engraved folding plates, 1 folding table. Contemporary vellum, blind-tooled arabesque on both centre-boards, labelled title-piece . Some browning at the plates, but very fine copy.

First Italian edition, previously published in Latin in 1775. Michele Troja is widely renowned for his works on the formation of bone callus and on bone nutrition and regeneration. “For this work, which continued that of Henri-Louis Duhamel du Monceau, he was nominated corresponding member of the Paris Academy and was invited by Diderot to write a number of articles for the supplement of the Encyclopédie.” (Castellani). Back in Naples, he obtained the chair of ophtalmology and published a collection of his lectures on the subject; he also wrote important works in urology also inventin the flexible catheter. “Troja in 1775 wrote in Latinh his work on the bones. Then, in 1779 he reprinted it in Italian, adding two memoirs, one on the regeneration of the bones of quadrupeds; the other on the singular structure of the tibia and cubit in frogs and toads, with some experiences on the regeneration of the entire legs of the same animals. ... “Michele Troja ... a laissé à la posterité un grand nombre d’ouvrages dignes des plus grands maîtres.” (Orloff - Duval).
Ref: De Renzi Storia della medicina in Italia Napoli, 1848, V, pp. 211-214 and passim; Grégoire Orloff, Amaury Duval Mémoire historiques, politiques et littéraires sur le Royaume de Naples Paris, 1821, vol V pp. 40-41; Carlo Castellani, Troja, Michele In: encyclopedia.com

MARCUS TULLIUS CICERO
Opera, Biponti, Ex Tip. Societatis, 1780

8°, contemporary half vellum

good copy
12 volumes, spines defected

Alessandro Volta (1745-1827)


Lettere del sig. Alessandro Volta patrizio comasco ... sull'aria infiammabile nativa delle paludi In Milano, nella stamperia di Giuseppe Marelli, 1777


Large 8°, (190 x 120) , 147,(1) pp, nicely engraved vignette at title page, engraved head and tail pieces, an excellent and crisp copy almost uncut, in original wrappers.


First complete edition, an edition containing only the first two letters was published few weeks earlier and it is overlooked by most bibliographers. The present work includes seven letters by Alessandro Volta to Father Carlo Giuseppe Campi (1732-1799), who was the first to draw Volta's attention to the phenomenon of the "inflammable airs": "Precisely a report from Father Campi to his friend and disciple was an opportunity to attract Volta's attention to the "arie infiammabili native". He (Campi) reported to have observed (1776) a source of "arie infiammabili native" (Magatti, p. 156). Volta's observations brought him to the discovery of the marsh gas, later called methane, previously confused with hydrogen; he collected it by stirring the mud with a stick and letting the bubbles pass into an inverted bottle filled with water. "The discovery of marsh gas... is described by Volta in some letters to Campi, dated from Como (November 1776 to January 1777)... He distinguished it from the inflammable air from metals (hydrogen) by its azure-blue flame and slower combustion, and by its requiring 10-12 vols. Of air for detonation. A much larger electric spark was necessary to ignite marsh gas than to ignite hydrogen. Volta, who invented the electric pistol, thought detonating gas could be used as a propellant..." (Partington). Volta discovery of methane led to its application to the eudiometer, meant to determine the quality of the air, and provided the groundwork to the discovery of the composition of water. A milestone in the history of science.


& Bruno Magatti Le arie infiammabili e la scoperta del metano pp. 151-158 In: A. Volta, Lettere ... sull'aria infiammabile, Reprint, Como, Attilio Sampietro di Menaggio, 2008, pp. 149-211; Partington, History of Chemistry, III, p. 814; Duveen, p. 606; Poggendorff II, 1231; DSB XV, pp. 74-76; Honeyman, 3072; Neville p. 593; Cole 1321; Guareschi La chimica in Italia dal 1750 al 1800 In: Suppl. ann. Enc. Chim., 1912, pp. 395- 403; Mariano Galliano P. Campi Carlo Giuseppe: chierico regolare somasco amico e collaboratore di Alessandro Volta Genova: Editrice Studio e Vita, no date (about 1960)

GIUSEPPE MARIANO PARTENIO
Discorso Sopra La Santa Casa, Loreto, Federico Sartori, 1782

4°, contemporay paperboard

good copy

GIUSEPPE ANTONIO GUATTANI
Monumenti Antichi Inediti, Roma, Stamperia Pagliarini, 1784


4°


Original half calf. With 31 engraved plates and one engraved folding plate. Very good copy.

HANCARVILLE HUGUES PIERRE FRANCOIS
Monumens de la vie privée des douze Cesars - Monumens du culte secret des dames romaines.
A Caprées, chez Sabellus (ma Nancy, Leclerc) 1780-1784

In-4 large 26.6x20.4 cm
2 volumes in full morocco citron binding of the time.
Illustrated with 2 antiporta and 100 plates outside the text.

BASSIANO CARMINATI (1750-1830)
Ricerche sulla natura e sugli usi del suco gastrico in medicina, e in chirurgia di Bassiano Carminati professore di medicina nella regia università di Pavia Milano, nell’imperial monistero di s. Ambrogio Maggiore, 1785


§ 4to (205 x260); [IV] leaves, 130 pp., sign: [no signature]1-4, A-P1-4, Q1-6. Contemporary vellum, with later addition of marbled paper on spine and part of both cover, gilt title piece on spine. Fine copy.

First edition, translated in German in the same year. The Italian physician Bassiano Carminati studied in Pavia and for some years he practiced medicine in Lodi, his birthplace; here he also published his first work in 1777 and the success obtained earned him the position of professor of general therapy, medical matters and pharmacology at the University of Pavia. He taught until 1810 and was then appointed Member of the Institute of Sciences, Letters and Arts of Italy.” (Hoefer; De Renzi). Carminati studied the differences of the gastric juice in fed and fasted animals and suggested their use in the treatment of some kind of cancer, ulcers and wounds.
Ref: De Renzi, V, 357 and passim; Hoefer VIII p. 770; James Southworth Steen A Selected Chronological Bibliography of Biology and Medicine Part 1B 1637-1809 ;Willich, A. F. M. The Domestic Encyclopædia (Vol. 1, 1802) p. 430

ASCANIO BALDASSERONI
Delle Assicurazioni Marittime, Firenze, Stamperia Bonducciana, 1786

folio, 19th century half calf

fine copy

FERDINAND BERTHOUD
Essai Sur L'Horlogerie, Paris, J.G. Merigot Le Jeune, 1786

4° Two volumes. Complete with 38 folding plates depicting the machineries. Very good copy.

VITTORIO ALFIERI (1749-1803)

La virtù sconosciuta. Dialogo di Vittorio Alfieri da Asti. Dalla tipografia di Kehl : co' caratteri di Baskerville, 1786

§ 4° (240 x 160), (59, [1] pp. Sign.: A⁸, B-C⁸ D⁸, last blank in original), contemporary coloured wrappers, labelled handwritten title on spine, light brownstains on the lower blank margin of six leaves, a fascinating, large-margined and crisp copy, almost uncut. The utmost rare first edition, actually printed in 1789, but formally dated 1786, the year of composition, during a journey in Alsace. A bibliographical gem; the printing types were bought by P.A.C De Beaumarchais and then brought to Kehl (Renania, Germany) where he also printed all other Alfieri’s works.

The work is an imaginary dialogue with Francesco Gori, Alfieri’s dearest friend early passed away, In it, two life choices are compared: that of the poet who takes charge of a public mission of
private relationships. The confrontation gives Alfieri the opportunity to return to the fundamental themes of his thought: the freedom of the individual in the face of the tyrant, the ignorance of the vast majority of men, the disillusionment of glory.

FRANCESCO MARIA PIERI
La situazione trasciminia degli antichi Falisci e della loro Metropoli Falerio
In Montefiascone nella stamperia del collegio e seminario, 1788

In-4 24.4x18 cm
With a topographical map folded several times. Nice contemporary hardback binding. Titles on the spine.
Genuine marginal copy, in excellent condition.
Original edition of this work dealing with the history of Montefiascone.

Giovanni Ludovico Bianconi (1717-1781)

Descrizione dei circhi particolarmente di quello di Caracalla e dei giuochi in essi celebrati opera postuma del consigliere Gio. Lodovico Bianconi ordinata e pubblicata con note dall’avvocato Carlo Fea e corredata da tavole e dalla versione francese In Roma, nella stamperia Pagliarini, 1789.

§ Folio; XXI, [1], CXXX, [2] pag., signature: A-D1-2,E1-3, a-z1-2, aa-kk1-2; large engraved vignette on title page, 2 large engraved head-pieces, 2 large engraved tail-pieces, 20 engraved plates (some folding). Parallel text Italian / French. Contemporary vellum. Some browning in places. Good copy.

First edition, published postumously. Giovanni Ludovico Bianconi (1717-1781) acquired some fame as a physician and was appointed to act in this function for the Elector of Saxony. Less known are his activities in the field of archeology. He conceived the ambitious project to describe all the monuments existing along the Appian road, but he died before he could achieve its aim, leaving only the part concerning the circuses, that was published some years later by the Roman lawyer and amateur archaeologist Carlo Fea. The plates, by Delena, Bossi, Uggeri, Feoli, Barbazza, Legnano and Carattoni were engraved by Angelo Uggeri (1754-1837), a Roman architect. The book is a complete study not only of the architectural features of the Roman circuses, but also of the games there held, such as chariot races, naval fights gladiator duels etc. Bianconi discusses the Etruscan origin of the circus games and the religious ceremonies held in the circuses. “Sonovi oltre a molte vignette allusive al testo venti gran tavole intagliate in rame. Opera accreditata e piena di dottrina” (Cicognara).
Ref. Cicognara 3619; Kissner 579; Brunet I, 848; Olschki, Choix, n. 16463; unknown to Kat. Berl. and Fowler.

GERMANO AZZOGUIDI
La Spezieria Domestica, Venezia, Stamperia Graziosi, 1790



Complete but missing first blank page. Spine defected. Good copy.

LORENZO DE’ MEDICI (1449-1492), ANGELO POLIZIANO (1454-1494)
Canzone a ballo composte dal magnifico Lorenzo de Medici et da M. Agnolo Poiliziano, & altri autori, insieme con la Nencia da Barberino, e la Beca da Dicomano composte dal medesinmo Lorenzo. Nuovamente ricorrette (colophon; In Firenze, no printer, 1568), but B. Gamba da Bassano, early XIX century or, more probably, late XVIIIth century


§ Large 8vo (230 x 160); 40, [5] pp, signature: A-E1-8, F1-2. Large-size woodcut vignette on title page, faithfully reproduced from the 1568 edition, showing Lorenzo de' Medici in the street in front of his own palace in Via Larga; behind him some young girls are singing in chorus. One of the girls hands Lorenzo an object, perhaps a tambourine with rattles or a begging bowl, the other a "majo", or May tree, according to an ancient tradition linked to the Calendimaggio festivities. Some pp. misnumbered. Later dark green boards. Spine a little worn., but a fine, uncut copy.

First published in Florence in 1562 and afterwards in 1568. Counterfait of the second edition, published by the bibliographer Bartolomeo Gamba da Bassano. In his Serie di testi in lingua italiana (1828) Gamba tells how about twenty years earlier he had the whim to republish the already very rare 1568 edition and how he produced about 100 copies, identical to the original even in the woodcut and the printing errors. To make his edition recognizable however, Gamba replaced the first woodcut initial (a P), representing in the original two fighting people, one thrown to the ground by the other, with a small landscape. Ref. Gamba, n. 893, p. 225; Sander 4458 and plate 620.

MARCUS VITRUVIUS POLLIO (c. 80–70 BC – after c. 15 BC), BERARDO GALIANI (1724-1774)


L’Architettura di Vitruvio Pollione tradotta e commentata dal marchese Berardo Galiani accademico ercolanense, e architettto di merito dell’Accademia di S. Luca. Edizione Seconda Ricorrettta dagli errori occorsi nella prima, e coredata degli stessi rami disegnati, e fatti incidere dal medesimo Traduttore In Napoli presso i fratelli Terres, 1790

§ Folio; Engraved frontispiece, Title page, XX, 272 pag., XXV full page plates and [25] leaves of explanation of each plate. Signature a-e1-2, A-Z1-4, Aa-Ii1-4, Kk-Nn1-2; frontispiece, title page, plates and unnumbered leaves without signature. Large- size engraved vignette on title page, some woodcut illustrations, several beautiful large tail-pieces. Contemporary boards. Some browning in places but a very good copy.

Second edition, published in the same year in Naples and Siena with different frontispieces; the first edition was published in Naples in 1758. Berardo Galiani graduated in civil and canonical law, but he soon developed a strong interest for architecture and archeology, in which fields he worked ever since. His most famous work is the translation of Vitruvio works, based on two Latin codices obtained thanks to Giovanni Gaetano Bottari. Galiani also draw all the illustrations and added an exaustive commentary. “... pregevole edizione... si distingue non soltanto per gli ampi commentari, che riassumono e sviluppano tutta la ricerca filologica precedente, ma anche per le 25 tavole, tutte disegnate dal G. stesso, a corredo di un testo che era giunto completamente privo dell'apparato iconografico originario” (... valuable edition ... it stands out not only for the extensive commentaries, which summarize and develop all the previous philological research, but also for the 25 tables, all drawn by G. himself, accompanying a text that had arrived completely devoid of the original iconographic apparatus) (Carrafiello).
Ref: Tommaso Carrafiello, Berardo Galiani, in DBI, ad vocem.

ANON
Istoria Del Testamento Vecchio E Nuovo, Venezia, Silvestro Gatti, 1793

Partially disbound. Contemporary hard vellum. Water stains on the corner of the pages. Nice copy.

OTTAVIO BERTOTTI SCAMOZZI (1719-1790)

Le fabbriche e I disegni di Andrea Palladio. Tomi primo- quarto. In Vicenza, per Giovanni Rossi, 1796

§ Four in-4° volumes, contemporary half calf, labelled gilt titles on spine (VIII, 128 , frontispiece and author’s portrait ; IV, 76 ;IV, 60 ; IV, 80 pp.) 210 engraved copperplates, mostly folding a fine ad well preserved copy on crisp paper.
In 1776 Bertotti Scamozzi published the first volume of Le fabbriche e i disegni di Andrea Palladio raccolti e illustrati. The idea of producing a luxurious edition of Palladio's works for an international, especially English, market began in 1770, when Pietro Edwards first discussed it with Bertotti Scamozzi, the scholar Antonio Locatelli and probably also the collector and patron John Stuart, 3rd Earl of Bute. The aim of the project was to clarify Palladio's ideas for his admirers and imitators, to solve problems of attribution and reconstruction of incomplete or destroyed works, and to resolve the question of the difference between Palladio's completed buildings and those shown in the plates of his treatise I quattro libri..Ref: Cicognara 599: «Ottavio Bertotti Scamozzi fece cosa nobile e grandiosa nel produrre queste grandi opere palladiane, e nell'illustrarle».

CORNELIO TACITO
Opera
Parmae, ex regio typographeo 1797

Two volumes In-4 23x15.5 cm
Contemporary light paperback with printed titles on gussets on the backs. The copy (in barbe) is internally in an excellent condition, with white paper and printed on particularly strong paper.

BERNARD PIERRE JOSEPH
Oeuvres de P.J. Bernard
Paris, P. Didot l’Ainé 1797

In- folio 31.5x24 cm
Binding in full morocco with gold frame and decorations, gilt edges. Small defects
One of 150 copies on strong Angouleme paper.
Superb copy with wide margins