From 16th to 19th century Old Masters

Felice Rubbiani (Modena, 1677 - San Pancrazio di Freto, 1752)
Pair of still lives with oval frames
Oil on canvas
ext. 46x35.6 in., int. 39.7x29.9 in
This pendant by the Modenese painter Felice Rubbiani depicting a couple of still lives with flowers, fruit, and animals is the perfect e

Andrea Locatelli (Rome, 1695 - Rome, 1741)
Architectural capriccio with figures
Oil on canvas
ext. 46,4x48 in., int. 38,5x40,1 in
Andrea Locatelli is rightly known as one of the pillars of Roman Vedutism in the early XVIII century; he began his training under the painter Monsu Alto, w

Johann Anton Eisemann (Salzburg, 1604 - Venice, 1698)
Dutch navy
Oil on canvas
ext. 24x35,4 in., int. 17,3x29,1 in
We know very little about this extraordinary Austrian Vedutist, but we know that he worked in Verona and Venice and that he was trained in the V

Michele Antonio Rapous (Turin, 1733 - Turin, 1819)
Still life with flowers with ribbed edges
Oil on canvas
ext. 64.5x58.6 in., int. 53.5x47.2 in
Michele Antonio Rapous from Turin took place in the Savoy context and was strongly imbued with the best European Rococo tradition. He was trained

Christian Reder known as Monsu' Leandro (Leipzig, 1656 - Rome, 1729)
An outdoor meal and rest from hunting
Oil on canvas
ext. 25,3x36,2 in., int. 18,8x29.9 in
This indeterminateness of subject, which escapes any episodic framing, that allows us to recognise this pair of oils on canvas a

Alessio De Marchis (Naples, c. 1710 - Perugia, 1752)
Pair of oval landscapes
Oil on panel
ext. 21x 16,5 in., int. 18,7x13,9 in
The first phase of Alessio De Marchis’ production is entirely dedicated to Rome’s view, its tradition, and the study of its contemporaries. From

Pietro Navarra (Rome, active 1685 - 1714)
Still life
Oil on canvas
ext. 40,5x56,2 in., int. 32,6x48,4 in
The canvases by Pietro Navarra, an artist who is still too little known and of whom we have little information, are of a quality that is immediately evide

Andrea Locatelli (Rome, 1695 - Rome, 1741)
View of the roman countryside with figures
Oil on canvas
24.8x30,3 in
In this painting, we can see how the artist had already taken the step from the balanced Arcadian compositions and the lesson of Salvator Rosa, leading him to devote himself to a

Lorenzo Lippi (Florence, 1606 - Florence, 1664)
Pair of portraits
Oil on canvas
ext. 42,2x36,6 in., int. 36,6x27,9 in
To Baldinucci, we owe most of the information we have today on the artist’s life: initially trained in the arts and then apprenticed under Matteo Ro

Giovanni Paolo Castelli called the Spadino (Rome, 1659 - Rome, 1730)
Still life
Oil on canvas
ext. 37x46,4 in., int. 29,7x39,3 in
The life and production of this artist are closely linked to his native city, Rome, from which he never left. Sources report that

Paris Bordon (Treviso, 1500 - Venice, 1571)
Saint John the Baptist
Oil on canvas
38,9x51,9 in
Trained in Venice, Paris Bordon was one of the most famous painters of the XVI century. Vasari tells us about his stay in the city and his first apprenticeship with Tiziano. If

Alessandro Magnasco (Genoa, 1667 - Genoa, 1749)
River landscape with figures
Oil on canvas
ext. 47,2x62,5 in., int. 39,1x54,7 in
Alessandro Magnasco is described in the sources as a Genoese painter who moved to Milan in 1672 and was apprenticed, after his father’s death, to on