Asta N. 618 - CTMP Design

Gerstley Sean, This monumental ceramic lamp stands two- feet (61 centimeters) tall. The shade and base are covered with chunky blocks sep- arated by integrated dimpled trought. The interior is glazed in a contrasting red hue. -- Unique Shipped from USA Item liable to VAT Largh. 36,8 - Prof. 30,5 - Alt. 61 Cm 2021

Gerstley Sean, This bi-color is a contemporary spin on a classic table lamp form. The dappled ceramic surface of the sizable table lamp is glazed in vibrant cobalt blue and lime green. The shade can be positioned to create a checkerboard pattern (as shown) or two equal -- Unique Shipped from USA Item liable to VAT Largh. 36,8 - Prof. 30,5 - Alt. 61 Cm 2021

Taillet Sophia, «Rise From the Abyss» is a series of blown glass pieces. In the process of researching the con- frontation between molten glass and rock. This project is part of an ongoing artistic process that involves the use of raw or ganic elements as a trigger for a new form of expression. An accumulation of rocks overlapped in a aleatory manner is used as a mold for the molten glass. In a search for purity and sensitivity, the glass freely takes shape in contact with the stones and slowly takes its imprint. Only a fragment of the stone mold remains in the final piece as a witness of this meet- ing be tween these two elements. The shapes of the molten glass freely unfold in the space beyond the hand of the craftsman and the eye of the designer - Like a wild landscape: the material lives and evolves according to its environment. Series of 5 Shipped from France Item liable to VAT ∅ 25/30 x 11/35 cm 2021

Dries Sophie, The chandelier designed by Sophie Dries, present a balance between organic and geomet- ric, the way the paper appears to grow over the glass eggs brings to mind the interface between man and nature, while, the metal structure is modular and adapt its extent to the volume of the room. The composition of 3 coloured glass pieces and different metal finished, named «Luna Glow» is a special edition of Kaia for CTMP Design Exhibition 2021. For this project Sophie choose to juxtapose to the classic blown glass & brass typical of Kaia, the Austrian company, specialized in lighting made of blown glass and with Italian atelier, Paper Factor. -- Unique Shipped from Italy Item liable to VAT Largh. 80 - Alt. 110 Cm 2021

Ruggiero Stefania, Cinzia carpet is a one of a kind piece designed by Stefania Ruggiero for Camp Design Gallery in occasion of CTMP. Hand tufted with selected wool fabric, the carpet plays with the shades of three main colours, creating optical effects such as three-dimensional volumes. Each tufting is part of the con- struction of the perception of the eye, reminding the pointil- lism technique in a structural frame. Stefania Ruggiero pays homage to artist and fashion architect Cinzia Ruggeri. -- Unique Shipped from Italy Item liable to VAT Largh. 250 - Prof. 166 Cm 2021

SOFI, Murano glass vase. Mouth blown and hand-finished. The vessel has two layers. The first to be blown is the internal one, made of animalier murrine with a tor- toiseshell pattern. The outer layer, a fusion of opal glass, is the second. Pieces of waste green glass "cotissi" are eventually melted on the middle and lower part of the double vase. The vase is part of the Bioma collection. -- Unique Shipped from Italy Item liable to VAT Largh. 25 - Alt. 36,5 Cm 2019

SOFI, Murano glass tray. Mouth blown and hand-finished. The vessel is made by a triple fusion of blue glass frits using the graniglia technique. The texture is made by melting together yellow glass frits through the use of a manual blowtorch. The lumps of glass thus formed are then melted onto the blue base. The central concavity of the tray is obtained by sucking away some air after blowing. The tray is part of the Bioma collection. -- Unique Shipped from Italy Item liable to VAT Largh. 19 - Alt. 10 Cm 2021

SOFI, Murano glass tray. Mouth blown and hand-finished. The vessel is made by a triple fusion of yel- low glass frits using the graniglia technique. The texture is made by melting together pink glass frits through the use of a manual blowtorch. The lumps of glass thus formed are then melted onto the yellow base. The central concavity of the tray is obtained by sucking away some air after blowing. The tray is part of the Bioma collection. -- Unique Shipped from Italy Item liable to VAT Largh. 28,5 - Alt. 9 Cm 2021

Studio HAK, Paw series is surreal looking furniture pieces inspired by toy figurines, cartoons and street art. The project began when the designer became fascinated by the blurred line that exists between art and design, lux- ury fashion and street fashion, high culture and sub culture. He therefore attempted to combine furniture with toys and figures to create the sculptural ‘paw’ furniture series. The designer uses an aluminum sand cas- ting tech- nique to capture the details of the objects textured sur- face, resulting in a very tactile appearance. The playful design inte- grates oversized paws, whether serving as the feet of the bench or clutching the glass surface of the side table. In this way, the se- ries brings an element of humor to typical chair and table products. -- 30 + 3 PA Shipped from South Korea Item liable to VAT Largh. 120 - Prof. 36 - Alt. 43 Cm 2020

Studio Job, Onyric symmetries from animal and mate- rial world create a pattern that reminds of the visions of Hieronymus Bosch. -- Limited Edition of 10 Shipped from Italy Item liable to VAT Largh. 250 - Alt. 350 Cm 2013

Studiopepe, Family of coffee and side tables made from marble scraps. The reflection on randomness and the concept of full and empty are at the origin of this project. 'Ritagliare' (i.e. cropping, in Italian) implies the concept of emptiness. In fact, it is possible to have a positive experience of emptiness through artistic forms which, instead of "representing" an object, "present" the void between things: what identifies and characterizes them. The randomness, the aesthetics of chance and the Dadaist "ready-made" are the other elements investigated in this project. The refusal of rationality in Dadaism is obviously provocative and is used as a pretext to break down the conventions around art and - in this case - design. Precious materials that would be destined for disposal are combined with poor mate- rials that become noble. -- Unique Shipped from Italy Item liable to VAT Largh. 90 - Prof. 80 - Alt. 32 cm 2021

Studiopepe, Family of coffee and side tables made from marble scraps. The reflection on randomness and the concept of full and empty are at the origin of this project. 'Ritagliare' (i.e. cropping, in Italian) implies the concept of emptiness. In fact, it is possible to have a positive experience of emptiness through artistic forms which, instead of "representing" an object, "present" the void between things: what identifies and characterizes them. The randomness, the aesthetics of chance and the Dadaist "ready-made" are the other elements investigated in this project. The refusal of rationality in Dadaism is obviously provocative and is used as a pretext to break down the conventions around art and - in this case - design. Precious materials that would be destined for disposal are combined with poor mate- rials that become noble. -- Shipped from Italy Item liable to VAT Largh. 60 - Prof. 70 - Alt. 42 cm 2021