Asta N. 618 - CTMP Design

Weber Philipp, The ‚Improvisations‘ collection translates and transcribes an impulsive performance that happens between the maker and the material. The extreme weight of the glass and its inherent physical properties challenge the glassblower, evoking spontane- ous and unforeseen reactions. At the same time, these sudden movements affect the shape of the piece, eventually mirroring the creative dialogue between the maker and the glass. -- Unique Shipped from Germany Item liable to VAT Largh. 35 Cm 2020

Hutten Richard, Rone, Betoo and Threeve come from a JCP Universe’s sci- ence-fiction movie, where no- tions of the past become the future and what we perceive as history has yet to be seen. Looking like little robots with an unexpected soul, they light the unseen and become characters able to transform everyday life. Table lamp with metal struc- ture in black chrome finish. Inner light source with a warm white LED bulb hidden by a white perspex plates. Floor lamp with metal structure in black chrome finish. Inner light source with a warm white LED bulb hidden by a white perspex plate. -- Unique Shipped from Italy Item liable to VAT 1) 26 x 24 x h 50 cm 2) 40 x 40 x h 160 cm 3) 44 x 38 x h 140 cm 2017

Hutten Richard, This regal gold chair is made in pure brass and designed for both style and comfort. It becomes the con- versation point in any space. It is almost surreal in appearance and an ergonomical triumph. Richard Hutten’s Wolk collection for Scarlet Splendour is inspired by beautiful, rare mammatus clouds. Translated into furniture it becomes larger than life and is a testimony to the brilliance of Dutch design. -- Limited Edition Shipped from India Item liable to VAT Largh. 122,5 - Prof. 97 - Alt. 85 Cm 2019

Baciocchi Roberto, "Maquilleuse” is a tribute to femininity. An unusual, precious object, designed by Arch. Roberto Baciocchi is made with great craftsmanship and attention to detail. A small make-up table that, in addition to functional- ity, can hide precious secrets inside. -- Unique Shipped from Italy Item liable to VAT Largh. 60 - Alt. 70 Cm 2017

Coll Roger, Roger Coll belongs to the new generation of artists working freely between contemporary art and collectible design. The artist makes tubular shapes with astounding precision that tangle in free curves. Sinuous hugs that have different points of balance and view. His works look like industry products, but they actually reveal outstanding craftsmanship; Coll is an obsessive who works incessantly on organic clay to shape it into a gentle movement, both geometric and fluid at the same time. -- Unique Shipped from Italy Item liable to VAT Largh. 30 - Prof. 45 - Alt. 40 cm 2021

Quevedo Raquel, "Souvenir from Southern Crater, Mars” emphasises the impact of digital technologies on the process of creating them as well as their sub- sequent perception and anchoring in memory. This process uses fictional associations and fantasy, using a physical-virtual disconnect in pro- cesses and forms. Under the layer of materiality, questions arise about the transience of nature on the journey that unites the concepts of fiction vs. reality, virtuality vs. physicality, true vs. false, intuition vs. facts, designer vs. artist, individual vs. community. With an aesthetic of science fiction and horror vacui, the work seem to emerge from a neighboring planet. The artwork circumscribes the viewer in a laboratory simulation, in a specu- lative environment, to the ideas and/ or related concepts of matter, organ- isms, science, that which is natural, nature, ecosystems, landscapes, ter- ritories, energy, subsistence, extrac- tion, data, assets, thereby allowing new narratives in light of the interpel- lation of that which is human, objec- tual and natural in the current social and cultural context. "Souvenir from Southern Crater, Mars” moves between the modified (ar:ficial/technological) and the orig- inal (real/cul:vated) to confuse, mix and re-situate the habitual mecha- nisms of observa:on, representa:on and appearance. Quevedo combine vivid colors with surrealis:c textures, mixing digital and physical codes with gesture in an intriguing affirma:on of life’s synergies. -- Unique Shipped from Spain Item liable to VAT Largh. 95 - Prof. 83 - Alt. 150 Cm 2019

Quevedo Raquel, "Souvenir from Southern Crater, Mars” emphasises the impact of digital technologies on the process of creating them as well as their sub- sequent perception and anchoring in memory. This process uses fictional associations and fantasy, using a physical-virtual disconnect in pro- cesses and forms. Under the layer of materiality, questions arise about the transience of nature on the journey that unites the concepts of fiction vs. reality, virtuality vs. physicality, true vs. false, intuition vs. facts, designer vs. artist, individual vs. community. With an aesthetic of science fiction and horror vacui, the work seem to emerge from a neighboring planet. The artwork circumscribes the viewer in a laboratory simulation, in a specu- lative environment, to the ideas and/ or related concepts of matter, organ- isms, science, that which is natural, nature, ecosystems, landscapes, ter- ritories, energy, subsistence, extrac- tion, data, assets, thereby allowing new narratives in light of the interpel- lation of that which is human, objec- tual and natural in the current social and cultural context. "Souvenir from Southern Crater, Mars” moves between the modified (ar:ficial/technological) and the orig- inal (real/cul:vated) to confuse, mix and re-situate the habitual mecha- nisms of observa:on, representa:on and appearance. Quevedo combine vivid colors with surrealis:c textures, mixing digital and physical codes with gesture in an intriguing affirma:on of life’s synergies. -- Unique Shipped from Spain Item liable to VAT Largh. 100 - Prof. 60 - Alt. 75 Cm 2019

Quevedo Raquel, "Souvenir from Southern Crater, Mars” emphasises the impact of digital technologies on the process of creating them as well as their sub- sequent perception and anchoring in memory. This process uses fictional associations and fantasy, using a physical-virtual disconnect in pro- cesses and forms. Under the layer of materiality, questions arise about the transience of nature on the journey that unites the concepts of fiction vs. reality, virtuality vs. physicality, true vs. false, intuition vs. facts, designer vs. artist, individual vs. community. With an aesthetic of science fiction and horror vacui, the work seem to emerge from a neighboring planet. The artwork circumscribes the viewer in a laboratory simulation, in a specu- lative environment, to the ideas and/ or related concepts of matter, organ- isms, science, that which is natural, nature, ecosystems, landscapes, ter- ritories, energy, subsistence, extrac- tion, data, assets, thereby allowing new narratives in light of the interpel- lation of that which is human, objec- tual and natural in the current social and cultural context. "Souvenir from Southern Crater, Mars” moves between the modified (ar:ficial/technological) and the orig- inal (real/cul:vated) to confuse, mix and re-situate the habitual mecha- nisms of observa:on, representa:on and appearance. Quevedo combine vivid colors with surrealis:c textures, mixing digital and physical codes with gesture in an intriguing affirma:on of life’s synergies. -- Unique Shipped from Spain Item liable to VAT Largh. 8 - Prof. 8 - Alt. 27 Cm 2019

Quevedo Raquel, "Souvenir from Southern Crater, Mars” emphasises the impact of digital technologies on the process of creating them as well as their sub- sequent perception and anchoring in memory. This process uses fictional associations and fantasy, using a physical-virtual disconnect in pro- cesses and forms. Under the layer of materiality, questions arise about the transience of nature on the journey that unites the concepts of fiction vs. reality, virtuality vs. physicality, true vs. false, intuition vs. facts, designer vs. artist, individual vs. community. With an aesthetic of science fiction and horror vacui, the work seem to emerge from a neighboring planet. The artwork circumscribes the viewer in a laboratory simulation, in a specu- lative environment, to the ideas and/ or related concepts of matter, organ- isms, science, that which is natural, nature, ecosystems, landscapes, ter- ritories, energy, subsistence, extrac- tion, data, assets, thereby allowing new narratives in light of the interpel- lation of that which is human, objec- tual and natural in the current social and cultural context. "Souvenir from Southern Crater, Mars” moves between the modified (ar:ficial/technological) and the orig- inal (real/cul:vated) to confuse, mix and re-situate the habitual mecha- nisms of observa:on, representa:on and appearance. Quevedo combine vivid colors with surrealis:c textures, mixing digital and physical codes with gesture in an intriguing affirma:on of life’s synergies. -- Unique Shipped from Spain Item liable to VAT Largh. 9 - Prof. 9 - Alt. 37 Cm 2019

Gilad Ron, Ron Gilad designed for the 2014 collection two pieces based on the same idea, that of showing the back of an oriental carpet and only a small portion of the fleece. Upsidedown n. 1 is a large white rectangle with a small piece of carpet turned upside down, while Upsidedown n. 2 seems to have one side completely folded to show its design. With these rugs, Ron Gilad once again demon- strates its ability to deal with design from a perceptually and conceptually new, playful and intriguing point of view. -- Limited Edition of 10 Shipped from Italy Item liable to VAT Largh. 200 - Prof. 300 Cm 2014

Marcelis Sabine, The 'Dawn' light series is an exploration of the rela- tionship between light and colour inspired by a time in the day where the sun, clouds and sky join to create a momentary riot of hues. This moment is suspended in a unique series of light sculptures; an installation of larger works that act as a continuation of the project 'Voie Light Series'. Playing with the relationship between light, colour, transparency and saturation, the 'Dawn' series utilizes a single white neon tube embedded in cast resin to highlight the subtle manipulation of colour and its intersection with light. -- edition #6 Shipped from Belgium Item liable to VAT Largh. 34 - Prof. 34 - Alt. 50 Cm 2015

Tritz Sarah, “Le couple au chat” is a small buffet in solid mahogany with some delicate cut and marquetry reproducing a drawing by the French artist Sarah Tritz. This specific work in relation with her own environne- ment is in-between a sculpture and a piece of furniture. It remains of course a piece of Constantin Brancusi ("Le Baiser") as well as anthropomorphic approach of Nicolas L and outsider art. -- Unique Shipped from France Item liable to VAT Largh. 68 - Prof. 40 - Alt. 110 Cm 2020